HDR

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Calibrating monitors for HLG-1.2 High Dynamic Range working

We’ve now done a couple of Sony BVM-X300 (4k/HDR OLED panel) monitors for HDR-TV deliverables to the BBC. The Beeb are behind the Hybrid Log Gamma standard, currently at 1.2 for broadcast. It’s benefits over Dolby’s 10-bit version of their Vision HDR system (also called DolbyPQ) are many and rather splendidly the DVB as well [...]

By | 2017-04-13T08:29:42+00:00 March 14th, 2017|Categories: Broadcast Engineering, tips|Tags: , , |0 Comments

Tech Breakfast – “HDR”

Wednesday 23rd November, 8:30 for 9am Soho Screening Rooms, Berwick St "Have you shot footage on a contemporary Canon or Sony camera using anything other than a 2.2 or 2.4 gamma? If so then you are already dabbling in high-dynamic range and the exciting world it promises. As UHD/4k resolution, Rec.2020 colour space and higher [...]

By | 2016-11-14T13:17:26+00:00 November 14th, 2016|Categories: Events, News|Tags: , , |0 Comments

Rohde & Schwarz IBC Wall of Workflow

Rohde & Schwarz had a strong presence at this year’s IBC focusing on what they are well known for, ingest, mastering to encoding and monitoring to broadcast and test and measurement equipment for high-definition formats such as 4K. You couldn’t escape IBC without crossing any of these acronyms covering industry formats and technologies, IMF (Interoperable [...]

By | 2016-10-29T08:54:35+00:00 September 19th, 2016|Categories: Events, IBC, News|Tags: , , , , , , , , |0 Comments

EVENT – How Colour Science in Mastering Impacts Distribution

Thursday 21st July, 11:00-13:00 Dolby, Soho Square Don't miss this unique opportunity to experience real world workflows demonstrated on the new R&S CLIPSTER Gen6, attached to Dolby's HDR Eclipse projector (the only one in Europe) - especially if you are involved in mastering HDR or content for Netflix, Amazon or other streaming services. Stephen Birdsong, [...]

By | 2016-10-29T08:54:37+00:00 July 14th, 2016|Categories: Events, News|Tags: , , |0 Comments

Ultra High Definition with High Dynamic Range (UHD + HDR)

Ultra high definition (UHD) is poised to be the next big industry change as we move away from our existing high definition (HD) broadcast chain. From the outset it was easy to see UHD has more longevity than stereoscopic (3D) ever did. That said, it's going to take sometime and is more complex than any of the past picture [...]

Shooting and editing HDR via Avid using CLog gamma

We've got BVE2016 coming up and one of the things root6 will be showing is an HDR workflow via Media Composer using Canon monitors. HDR is still a bit of a crap-shoot as far as standardisation is concerned with the BBC/NHK system, Dolby Vision, Sony's SLog3 and Canon's camera-native CLog. The principle of using an [...]

By | 2016-10-29T08:54:42+00:00 February 12th, 2016|Categories: Broadcast Engineering, Products, tips|Tags: , , , |0 Comments