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Ultra High Definition with High Dynamic Range (UHD + HDR)

Ultra high definition (UHD) is poised to be the next big industry change as we move away from our existing high definition (HD) broadcast chain. From the outset it was easy to see UHD has more longevity than stereoscopic (3D) ever did. That said, it's going to take sometime and is more complex than any of the past picture [...]

"Ask Us Anything" – 002

In the second of our new "Ask Us Anything" discussions/podcasts , we discuss Television colourimetry, Klein KT10-A colour probe, EDID (and Avid!), Avid ISIS, nearline storage and Protools Please contact us with any questions or topics you'd like us to discuss or take part in the discussions yourself. Get in touch for an invite to [...]

Tech Breakfast – "Grading with Avid and FilmLight"

Wednesday 2nd July 8:30 for 9am at The Soho Screening Rooms 14 D'Arblay St, W1F 8DY Join us for our latest Tech Breakfast event.  This time we’ll be taking a look at the native colour grading tools in Avid Media Composer and Symphony, then exploring how these can be expanded with the powerful feature set [...]

By | 2016-10-29T08:55:18+00:00 January 29th, 2014|Categories: Events|Tags: , , , , , , |0 Comments

After 'Beyond HD Masters 2013' – 4K TV colourimetry

Several of us had a day at BAFTA listening to various speakers from the industry talking about 4K (quad-HD, UltraHD, etc etc) and the surrounding standards. ITU Rec.2020 (URL: http://en.wikipedia.org/wiki/Rec._2020) is the document that covers 4k TV (in fact it defines two resolutions – 3840 × 2160 and 7680 × 4320 – which I’ll refer [...]

By | 2016-10-29T08:55:21+00:00 June 24th, 2013|Categories: Broadcast Engineering, tips|Tags: , , |0 Comments